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Always Bangin' Hardly Hangin'. The Prodigy were the pioneers in the early dance scenes but failed to make a comback with 'Babys Got A Temper' in 2002, so a perhaps frustrated Liam Howlett, who was always the core of the groups music production, changed the musical direction The Prodigy was heading on without the vocals of Maxim and Keith Flint.The new sound (at the time) in the album 'Always Outnumbered Never Outgunned' is a better and more modern clash of breakbeat/nu-skool breaks, hip hop, and dirty electro.

The first track release (and No.1 on the album) set the mark for the style which The Prodigy was taking, defining its broken beat pattern and rock influence harder than any other tracks around making it a strong and unique sound which can be instantly paired with Prodigys slamming in-your-face approach.Throughout the album it just gets better and better, with the likes of Kool Keith, Princess Superstar, Juliette Lewis, and Liam Gallagher adding to the tracks. The pace stays fast, the sound stays fresh, and the heaviness keeps coming, there's only one or two tracks that don't seem to stand out with the rest of the album, overall, a defining moment for The Prodigy, reinvented, which may put off hardcore fans, but still packing a punch. Spitfire - A bit boring after the release of the 05 mix on the single. 6/10Girls - One of their very best songs after 2000. Still sounds totally fresh.

Very 80's electro. 10/10Memphis Bells - Sounds a bit like a b-side, like Molotov Bitch. They scrabbed better tracks. 6/10Get Up Get Off - This song had so much potential, but the choice of beats, make the track fall to the ground. Nice samples and synths though. 5/10Hotride - A fine groovy track, 70's/Tarantino's Death Proof style. Still would love to hear it with a break beat.

6/10Wake Up Call - Starts out promising, but like Get Up Get Off, falls a bit to the ground, when the beats joins in. Definitly deserved a more danceable beat. It has it's moments. 6/10Action Radar - A punk inspired track, just done electro.

Slightly annoying track 4/10Medusa's Path - I really like this arabian electro tune. It's quite dark and has a scary vibe. 8/10Phoenix - Most people really hates this track. Yes, it does not sound very much like The Prodigy, but it has insane sound effects. I always wondered why they called this track Phoenix, when it's basicly a Liam H remix of Shocking Blue's 'Love buzz'. They should just named it that, Love Buzz (Prodigy Remix) 8/10You'll Be Under My Wheels - One of the worst songs ever made by the Prodigy.

It does have a couple of nice effects though, but not worth much. 2/10The Way It Is - After the release of the Live Remix of this track, it very much sounds like a demo. After returning to the album version after 15 years, it's kinda nice to hear the scrabbed down album version. It is definitly not as kicking as the Live Remix, but a nice chill track. A bit of Jilted vibe.

7/10Shoot Down - Have no clue why this version ended up on the album. Trigger was the better track, and a couple of demos between Trigger and Shoot Down has appeared. I would have though that the track 'The Gun' (from Peermusic vol 2) with the Gun Reprise breakdown, would have been a much better choice. 4/10.It's not a Prodigy album, but an experimental Liam Howlett album. For a Prodigy album I give it 4/10. For a Liam H album, I give it a 8/10.6/10.

I know I'm in the minority, but I like this album more than Fat of the Land. I never liked Fat of the Land. This felt like a return to Experience and Jilted, just not as good as either of those (which is to be expected as those are perfect albums). It could be tighter, could be better, and does sound a bit like it was composed with only soft synths on a computer instead of using analog gear as they are known to sound; but I enjoy the tracks and appreciate the lack of vocals on this one.

It's pleasant, just not great and not the caliber of what we expect from Liam.In a way, this album was needed to cleanse the pallet and bring The Prodigy into the next phase of their career more solidly. I'm very glad they eventually released Invaders Must Die!, as that's a great great album and, so far, the high watermark of Electro Punk Band form of The Prodigy. In terms of electronic music, this CD is excellent. However, in Prodigy standards, it does not reach the GOAT 'The Fat Of The Land'.The beats & hip-hop tempos are still here, and that the most important when you hear the Braintree trio.Moreover, as a diehard big beat lover, I can't mark 5 stars to this because there's a bit too much cringey moments for me.The most uncomfortable is that horrible noise starting at the middle of 'Medusa's Path'. If it wouldn't have been present, it would be the best track out there.Other than that, I don't like this original version of 'You'll Be Under My Wheels'. There's a better one added on the second CD of their '1990-2005' singles compilation (an ABSOLUTE MUST-HAVE!!).At last, I think 'Spitfire' should have been 1 or 2 minutes shorter, or shoulh have purposed a variety of beats.The rest of the CD is very enjoyable, especially 'Girls', 'Hotride' and 'Shoot Down'. That's mainly for this reason that 'AONO' should be owned, even if I will obviously be less played than 'Music For The Jilted Generation'.In order to finish, the rest of their discography (including 'The Day Is My Enemy') is highly recommended.