Iannis Xenakis (composer 1922-2001) - Play streams in full or download MP3. Click on a category to view the list of works. Recordings: 207 tracks.

Author by: James HarleyLanguange: enPublisher by: Psychology PressFormat Available: PDF, ePub, MobiTotal Read: 57Total Download: 625File Size: 55,8 MbDescription: 'Harley approaches the music from the point of view of a musician; his thesis rests upon the conviction that Xenakis's theoretical formulations can be explained and understood without recourse to complicated mathematics. The 'scientific' tendency of the composer's own explications of his work has baffled and often alienated many who have responded strongly to the music. Harley's book allows the interested student and scholar to delve deeply into the music while explaining the structures and theories that inform them in easy-to-understand terms. The book concludes with an up-to-date bibliography, discography, and a list of works.' -BOOK JACKET.

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Author by: Iannis XenakisLanguange: enPublisher by: Pendragon PressFormat Available: PDF, ePub, MobiTotal Read: 33Total Download: 370File Size: 55,7 MbDescription: Pendragon Press is proud to offer this new, revised, and expanded edition of Formalized Music, Iannis Xenakis's landmark book of 1971. In addition to three totally new chapters examining recent breakthroughs in music theory, two original computer programs illustrating the actual realization of newly proposed methods of composition, and an appendix of the very latest developments of stochastic synthesis as an invitation to future exploration, Xenakis offers a very critical self-examination of his theoretical propositions and artistic output of the past thirty-five years.

This edition of Formalized Music is an essential tool for understanding the man and the thought processes of one of this century's most important and revolutionary musical figures. Author by: James HarleyLanguange: enPublisher by: RoutledgeFormat Available: PDF, ePub, MobiTotal Read: 24Total Download: 393File Size: 46,6 MbDescription: Xenakis: His Life in Music is a full-length study of the influential contemporary composer Iannis Xenakis. Following the trajectory of Xenakis’s compositional development, James Harley, who studied with Xenakis, presents the works together with clear explanations of the technical and conceptual innovations that shaped them. Harley examines the relationship between the composer and two early influences: Messiaen and Le Corbusier. Particular attention is paid to analyzing works which were vital to the composer’s creative development, from early, unpublished works to the breakthrough pieces Metastasis and Pithoprakta, through the oft-discussed decade of formalization and the evolving styles of the succeeding three decades. Author by: Alfia NakipbekovaLanguange: enPublisher by: Vernon PressFormat Available: PDF, ePub, MobiTotal Read: 39Total Download: 457File Size: 44,8 MbDescription: Considered to be one of the most revolutionary composers of the twentieth century, Iannis Xenakis pushed the boundaries of classical music. As a largely self-taught composer, Xenakis drew from his technical training in engineering and architecture to produce music that had the ability to both unnerve and enrapture his audiences.

Motivated by his intense study of many scientific disciplines, he employed the mathematical rules of the natural world to test the traditional rules of counterpoint and harmony, and to explore the spatial texture of sound, colour and architecture. The Romanian-born Greek-French composer transformed twentieth century classical music for decades to come, leaving behind an undeniable legacy that continues to inspire and even shock listeners to this day. By approaching Xenakis’s creative output from a variety of perspectives, the contributors to this edited volume seek not only to situate Xenakis’s music within a larger cultural, social and political context but also to shed light on contemporary issues surrounding his work. Each chapter focuses on a different aspect of Xenakis’s music (in the context of particular works) and musical philosophy: mathematical, structural, performative, as well as the genesis of his compositional style and distinctive sound. Xenakis’s artistic presence on the contemporary music scene, his political influence during the tumultuous protests in Paris ’68, and his first piano composition, Herma, are also explored in-depth providing new insights into the life and work of this avant-garde figure. This book will appeal to contemporary music researchers, students and scholars and may also be of interest to artists, performers and composers, alike.

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Author by: Dr James HarleyLanguange: enPublisher by: Ashgate Publishing, Ltd.Format Available: PDF, ePub, MobiTotal Read: 81Total Download: 287File Size: 46,8 MbDescription: With the benefit of access to sketches and recordings in the Xenakis Archives, James Harley presents analytical and critical discussions of Kraanerg's music and reception, including the relationship of the score to the recorded parts. Harley is a composer with first-hand experience of the interlocking fields of acoustic and electronic music that Xenakis made his own. The book is accompanied by a CD, which helps to conceptualize the extremely complex score. Author by: Dani CollinsLanguange: enPublisher by: HarlequinFormat Available: PDF, ePub, MobiTotal Read: 53Total Download: 377File Size: 45,8 MbDescription: The challenge: two weeks without your billionaire fortune! Greek magnate Stavros Xenakis must go undercover to win a bet—and escape his grandfather's demands that he take a bride.

Until encountering deliciously tempting housekeeper Calli proves that a wife is exactly what he needs! Calli's baby being taken away robbed her of the ability to trust anyone. Now Stavros's offer to marry her gives her the chance to finally find her son. But Calli doesn't expect their honeymoon to be so sinfully sensual—and for life as the temporary Mrs. Xenakis to be so exquisitely satisfying.

Author by: Amalie BerlinLanguange: enPublisher by: HarlequinFormat Available: PDF, ePub, MobiTotal Read: 56Total Download: 220File Size: 50,7 MbDescription: She can’t resist the doc from her past! But do they have a future? In this Hot Greek Docs story, obstetrician Erianthe Nikolaides is returning home to Mythelios and dreading seeing her sinfully hot ex, Dr. Ares Xenakis! She’s still haunted by the devastating circumstances of their breakup.

To truly heal she must share her pain with Ares, but when a scorching kiss reignites their desire, dare Eri risk her heart a second time?

Page/Link:Page URL:HTML link:The Free Library. Retrieved May 14 2020 fromIANNIS XENAKIS, WHO DIED IN 2001 at the age of seventy-eight, wasthe embodiment of Goethe's famous quote 'I call architecturefrozen music.' Trained as a civil engineer, Xenakis went on tostudy composition with Olivier Messiaen, and his mature work intensifiedthe two forms' interrelationship: He fashioned musical scores fromthe notations of advanced mathematics and designed buildings utilizingthe geometric shapes incorporated in the scores.

While Xenakis'smusic is scientific in construction, as Messiaen once observed 'thepreliminary calculations are completely forgotten at audition. Theresult in sound is a delicately poetic calm or violently brutalagitation, as the case may be.' Xenakis's musical and architectural pursuits were firstconjoined in the Philips Pavilion at the 1958 Brussels World'sFair. Xenakis's then employer, Le Corbusier, was approached aboutcreating a multimedia pavilion and handed off the design work toXenakis, who created the world's first freestanding building ofhyperbolic paraboloids (inspired by his own Metastaseis).

Edgar Varesecomposed an eight-minute electronic piece, Poeme Electronique; Xenakisadded his own tape piece of nearly three minutes, Concret PH, to beplayed as visitors entered and left the presentation; and Le Corbusierhimself contributed a series of projections depicting scenes from thedevelopment of Western civilization: The resulting installation was animportant forebear of sound art. By 1967, Xenakis was able to follow upon the Philips Pavilion with the first of several sited sound and lightspectacles he called polytopes. Polytope de Montreal (1967) made conoidsand hyperboloids manifest in steel cable stretched six stories high,while recordings of four orchestras were heard on speakers spread out indifferent sections of the hall.